Sur l’acropole de Thasos se sont succédé deux temples d’Athéna : un premier, d’époque archaïque, fut détruit aux environs de 500 av. J.‑C., un second, dont les ruines sont aujourd’hui visibles, n’a pas été daté précisément par les fouilles. Cet édifice aurait dû être le plus grand temple de Thasos mais sa construction a été interrompue alors que la crépis était seulement ébauchée. Le temple ne fut jamais terminé : des blocs destinés à sa construction furent même utilisés lors de (...) travaux sur le rempart vers la fin du ve siècle. On présente ici l’ensemble des données architecturales qui montrent que l’édifice projeté avait un plan et des caractéristiques techniques complètement inhabituels à Thasos. On s’interroge sur les raisons d’être de ces bizarreries et sur celles de l’abandon du projet. On propose de chercher dans les rapports complexes qu’entretiennent Athènes et Thasos tout au long du ve siècle des éléments pour expliquer l’architecture même de l’édifice ainsi que son étrange destin. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Dans l'"Avis des éditeurs", on explique en quoi consiste l'intérêt particulier de ce recueil de lettres privées, non destinées à la publication. En plus, on apprend les circonstances grâce auxquelles une partie importante des papiers de Rousseau est entrée à la Bibliothèque de la ville (actuelle Bibliothèque publique et universitaire) de Neuchâtel: "J'entends que tous les papiers manuscrits de Jean-Jacques Rousseau [...] soient recueillis et rassemblées en paquets étiquetés et cachetés, pour être déposés dans une bibliothèque publique bien assurée. (...) Les lettres adressées à moi seront également déposées [...]" (extrait du testament de Pierre-Alexandre Du Peyrou du 22 juillet 1791. "Avis..." p. 16 s.). (shrink)

Il peut paraître singulier, pour une revue trimestrielle, de vouloir analyser l’actualité politique, alors que celle-ci change au jour le jour. Mais, dans ce débit à jets continus, il est des événements, parfois des détails, qui sont plus importants que d’autres ; il est des actes ou des faits que les historiens retiendront comme ayant marqué un moment, voire même leur...

Jacques Derrida: Law as Absolute Hospitalityãeepresents a comprehensive account and understanding of Derridaâe(tm)s approach to law and justice. Through a detailed reading of Derridaâe(tm)s texts, Jacques de Ville contends that it is only by way of Derrida's deconstruction of the metaphysics of presence, and specifically in relation to the texts of Husserl, Levinas, Freud and Heidegger - that the reasoning behind his elusive works on law and justice can be grasped. Through detailed readings of texts such as To (...) speculate âe" on Freud, Adieu, Declarations of Independence, Before the Law, Cogito and the history of madness, Given Time, Force of Law and Specters of Marx, De Ville contends that there is a continuity in Derridaâe(tm)s thinking, and rejects the idea of an âe~ethical turnâe(tm). Derrida is shown to be neither a postmodernist nor a political liberal, but a radical revolutionary. De Ville also controversially contends that justice in Derridaâe(tm)s thinking must be radically distinguished from Levinasâe(tm)s reflections on âe~the otherâe(tm). It is the notion of absolute hospitality - which Derrida derives from Levinas, but radically transforms - that provides the basis of this argument. Justice must on De Villeâe(tm)s reading be understood in terms of a demand of absolute hospitality which is imposed on both the individual and the collective subject. A much needed account of Derrida's influential approach to law,ãeeJacques Derrida: Law as Absolute Hospitalityãeewill be an invaluable resource for those with an interest in legal theory, and for those with an interest in the ethics and politics of deconstruction. (shrink)

This paper delves into the intricate connections between the Abrahamic religions and the ancient mystery cults, reaching as far back as to Neolithic shamanism. They all unite in a shared pursuit: the quest for divine knowledge. Long before the Tree of Knowledge of Good and Evil in the biblical Genesis took on its profound symbolic meaning, shamanic initiation held a distinctly different view of botany. Indeed, It regarded plants primarily for their psychedelic properties, as a medium to perceive “reality” with (...) heightened intensity. However, the sacred Tree has a uniquely numinous character, and their consumption is sternly prohibited by God, in both, the Bible and the Quran. Therefore, this effectively positions all monotheistic religions in an unequivocal distance from their prehistoric origins. More precisely, we can argue that these mythologies are in fact constructed as counternarratives, advocating, primarily for a social ethic (based on the holy writings of the Bible), and evoking secondly a fundamental gnostic quest. (shrink)

Tu ne sauras jamais, vous non plus, toutes les histoires que j'ai pu encore me raconter en regardant ces images.

Psyche: Inventions of the Other is the first publication in English of the twenty-eight essay collection Jacques Derrida published in two volumes in 1998 and 2003. Advancing his reflection on many issues, such as sexual difference, architecture, negative theology, politics, war, nationalism, and religion, Volume II also carries on Derrida's engagement with a number of key thinkers and writers: De Certeau, Heidegger, Kant, Lacoue-Labarthe, Mandela, Rosenszweig, and Shakespeare, among others. Included in this volume are new or revised translations of (...) seminal essays (for example, "Geschlecht I: Sexual Difference, Ontological Difference," "Geschlecht II: Heidegger's Hand," "How to Avoid Speaking: Denials," and " Interpretations at War : Kant, the Jew, the German"). (shrink)

Fruit de l'initiative des Facultés universitaires Saint-Louis, le présent ouvrage rend hommage, à l'occasion de son admission à l'éméritat, à Jacques Dabin qui fut titulaire des cours de philosophie morale et de droit naturel depuis 1968 et assura la fonction de Recteur des Facultés de 1973 à 1993. Reflétant à la fois ses préoccupations majeures, ainsi que la diversité des approches correspondant aux différentes composantes des Facultés, cet ouvrage réunit les actes du colloque que les Facultés ont consacré à (...) ce thème du 20 au 22 avril 1994 ainsi que d'autres contributions émanant de membres ou amis des Facultés qui ont accepté de se joindre à cet hommage. (shrink)

"One of the major works in the development of contemporary criticism and philosophy." -- J. Hillis Miller, Yale University Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960s, forever changed the face of European and American criticism. The ideas in De la grammatologie sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty (...) years later, the immense influence of Derrida's work is still igniting controversy, thanks in part to Gayatri Spivak's translation, which captures the richness and complexity of the original. This corrected edition adds a new index of the critics and philosophers cited in the text and makes one of contemporary criticism's most indispensable works even more accessible and usable. (shrink)

New York, été 1942. Peu après la déclaration de la guerre, les Maritain ont quitté la France et se sont réfugiés aux Etats - Unis. Tout en poursuivant son oeuvre littéraire, Jacques donne des cours et des conférences à travers le pays. Raïssa publie Les grandes amitiés et achève la rédaction de ses souvenirs, souvent interrompue par la maladie et les souffrances qui l'accablent. L'arrachement à leur pays, le désastre en Europe et le sort des Juifs ne cessent de (...) peser sur le coeur et les pensées du couple. C'est dans ce contexte troublé que, le 22 août 1942, les Maritain reçoivent la lettre d'une inconnue. Celle qui leur écrit pour la première fois vient de lire Les grandes amitiés. C'est une Américaine de quarante-trois ans, écrivain, poète, dont la vie sera désormais liée à la leur. (shrink)

Kant’s 1795 essay on perpetual peace has been lauded as one of his most important and influential political texts as well as one of the most important texts on peace. Kant’s text was largely forgotten until the 1980s and 1990s, with numerous commentaries appearing around the time of its 200 years existence. The French philosopher Jacques Derrida’s interest in Kant’s text appears to have arisen around the same time, and his analyses of this text continued after the turn of (...) the century. The references to Kant’s essay in Derrida’s texts appear mostly in the context of a discussion of the concept of hospitality. The latter concept is understood by Derrida as including both a demand for absolute hospitality, that is, hospitality without the imposition of any limitations, as well as a demand, in the interests of survival, for such limitations or conditions. A negotiation between these dimensions of hospitality is ultimately required. The aim of this article is to elucidate Derrida’s analysis of Kant’s essay, specifically his recasting of the concept of peace as absolute hospitality, as well as to briefly outline its implications for international and cosmopolitan law. (shrink)

One of Rousseau’s later and most puzzling works and never before available in English, this neglected autobiographical piece was the product of the philosopher’s old age and sense of persecution. Long viewed simply as evidence of his growing paranoia, it consists of three dialogues between a character named “Rousseau” and one identified only as “Frenchman” who discuss the bad reputation and works of an author named “Jean-Jacques.” Dialogues offers a fascinating retrospective of his literary career.

""My death - is it possible?"" "That is the question asked, explored, and analyzed in Jacques Derrida's new book. "Is my death possible?" How is this question to be understood? How and by whom can it be asked, can it be quoted, can it be an appropriate question, and can it be asked in the appropriate moment, the moment of "my death"? One of the aporetic experiences touched upon in this seminal essay is the impossible, yet unavoidable experience that (...) "my death" can never be subject to an experience that would be properly mine, that I can have and account for, yet that there is, at the same time, nothing closer to me and more properly mine than "my death."" "This book bears a special significance because in it Derrida focuses on an issue that has informed the whole of his work up to the present. For the last thirty years, Derrida has repeatedly, in various contexts and various ways, broached the question of aporia. Making it his central concern here Derrida stakes out a new frontier, at which the debate with his work must take place from now on: the debate about the aporia between singularity and generality, about the national, linguistic, and cultural specificity of experience and the trans-national, trans-cultural law that protects this specificity; the aporia of the necessity to continue working in the tradition of critique and of the idea of critique, yet the corresponding necessity to transcend it without compromising it; the apoetical obligation to host the foreigner and the alien and yet to respect him, her, or it as foreign." "The foreign or the foreigner has always been considered a figure of death, and death a figure of the foreign. How this figure has been treated in the analytic of death in Heidegger's Being and Time is explored by Derrida in an analytical tour de force that will not fail to set new standards for the discussion of Heidegger and for dealing with philosophical texts, with their limits and their aporias. The detailed discussion of the theoretical presuppositions of recent cultural histories of death (Aries, for example) and of psychological theorizations of death (including Freud's) broaden the scope of Derrida's investigation and indicate the impact of the aporia of "my death" for any possible theory."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. (shrink)

Stel dat een inbreker bij jou thuis alleen de lijsten van de kunstwerken zou wegnemen, en niet de werken zelf. Wat zou er veranderen in je omgang met de kunst? Met dat gedachte-experiment opent de Franse filosoof Jacques Derrida het essay Parergon. Parergon betekent bijzaak in het Grieks. Zoals bijvoorbeeld de lijst van het schilderij, of het kader van een opgehangen foto. Ze behoren niet tot het kunstwerk. En toch zijn ze van groot belang voor hoe het werk bekeken (...) wordt. De belangwekkende tekst van Derrida uit 1974 geeft een centrale rol aan de bijzaak van het kader. Met filosofische acrobatie maneuvreert de denker tussen de grote klassiekers van de kunstfilosofie: Plato, Kant, Hegel en Heidegger. Hij gaat op een speelse manier met hun erfenis om. Woorden worden omgedraaid. Passages die op het eerste gezicht bijzaak lijken, maakt hij tot hoofdrolspelers van zijn betoog. Dit boek presenteert Derridas belangrijkste tekst over beeldende kunst voor de eerste keer in Nederlandse vertaling. Het boek is vormgegeven door de spraakmakende ontwerpster Ines Cox. Vertaler Ben Overlaet schreef een nawoord dat de tekst van de nodige filosofische en historische context voorziet. (shrink)

YS : Quelles sont, à vos yeux, les tâches d'un philosophe en ce qui concerne les religions? Peut-être que cette question en sous-entend une autre. Quelles sont les "choses" à ne pas faire pour un philosophe, en ce qui concerne l'étude des religions? JB : Pour être tout à fait franc, je ne suis pas certain d’être très bien placé pour répondre à cette question et je n’ai pas non plus essayé de le faire dans le livre dont nous parlons, (...) ne serait-ce que parce que, à la différence de Roger Pouiv... (shrink)

Un ensemble de textes qui ont comme sujet soit Jacques Proust lui-même, spécialiste du siècle des lumières et de Diderot en particulier, soit un domaine que ce professeur universitaire de lettres affectionnait, tel le Japon.

Cet ouvrage, un grand classique désormais, son auteur l'a écrit pour répondre au "devoir qui s'impose, aujourd'hui plus que jamais, aux hommes de science de penser leur discipline dans l'ensemble de la culture moderne pour l'enrichir non seulement de connaissances techniquement importantes, mais aussi des idées venues de leur science qu'ils peuvent croire humainement signifiantes. L ingénuité même d'un regard neuf (celui de la science l'est toujours) peut parfois éclairer d'un jour nouveau d'anciens problèmes...".

Chora L Works documents the unprecedented collaboration, initiated in 1985, between philosopher Jacques Derrida and architect Peter Eisenman on a project for the Parc de la Villette in Paris. Woven into the volume are discussion transcripts, candid correspondence, and essays, as well as sketches, presentation drawings, and models. Derrida and Eisenman's design process was guided by Plato's chora text from the Timeaus; their unique reciprocal relationship was an interchange - and transformation - of voices.

The following interview took place between Jacques Bouveresse and Hilary Putnam on May 11, 2001 in Paris at the Collège de France. Sandra Laugier was present, preserved the transcription, and proposed that we publish the text here. It was translated into English by Marie Kerguelen Feldblyum LeBlevennec and lightly edited by Jacques Bouveresse, Juliet Floyd, and Sandra Laugier. Themes covered in the interview include the question of Wittgenstein’s importance in contemporary philosophy, Putnam’s development with respect to realism, especially (...) in philosophy of mathematics, and the differences and motivations for realism in mathematics, physics, and ethics. The editors thank Marie Kerguelen Feldblyum LeBlevennec for her translation, and Jacques Bouveresse, Mario De Caro, and Sandra Laugier for permission to publish this transcription. (shrink)

La 4e de couv. indique : "Prenant ici toute l’initiative, Elisabeth Weber a choisi, en les présentant, vingt entretiens parmi tous ceux auxquels Jacques Derrida a participé depuis près de vingt ans. Elle s’est donné pour cela un certain nombre de critères, et d’abord celui de la diversité : celle des sujets (la question des femmes, la poésie, la drogue, le sida, l’enseignement, en particulier celui de la philosophie, et, croisant tous ces thèmes, la politique et les médias), celle (...) des tons (analytique ou joueur, militant ou « autobiographique »), celle des destinataires (en France, en Europe, Outre-Altantique).". (shrink)